Monday, October 08, 2007

I looked up and then looked down.
I keep going back and forth on the new Les Savy Fav album, Let's Stay Friends. On the one hand, it's a pretty good record--the songs are catchy, it's a major improvement over their last full-length (2001's Go Forth) in almost every way imaginable, and it even bests some of the more recent material from their Inches collection. You really get the feeling they're at the height of their powers (I could even say, as most other people are saying, that they're the Fugazi of the thing they do). On the other hand, it's not exactly what I wanted. I think what I was hoping for was something akin to their Accidental Deaths 7" (aka the Pop Frenzy Tour EP), released in somewhat limited numbers in 2006. Opting out of their usual crazed, verbose party punk and delving into a comparatively mellow, straightforward, almost meditative consideration of random death scenes resulted in two of the most compelling songs in their canon. On "Hit By Car" they take a mid-tempo look at a pedestrian getting struck by a passing car and feeling "like sea sprayed in the air from the blow-hole of some whale somewhere" before gliding out for two minutes without a word from vocalist Tim Harrington. On "Hit By Train" they sound like another band entirely, the only dead giveaways being Harrington's vocals and Seth Jabour's by-now unmistakable and incredible guitar work (he somehow manages to make his guitar sound like an oncoming subway train hurtling down the tracks). It's really striking, and I gotta believe a full album of stuff like the Deaths record would have been tits. But like I said, Let's Stay Friends does have its special moments. "Pots & Pans" is a good "something is very, very wrong here"-style opening salvo, like a more uplifting "Goodnight For Real", and it boils things down nicely with lines like "Has your skin grown thick from bands that make you sick?/Has your skin grown thick from a thousand stinging pricks?" (couple that with the fact that Pitchfork LOVES them, and interpret it however you want). And as briefly mentioned in one of my last posts, "Raging In the Plague Age" is the best of the best. I guess the thing to keep in mind is that, like the bulk of their catalog and like a lot of the big name shit in the indie world right now, Friends is written for an audience (maybe a particular audience, maybe just an audience period). It's Les Savy Fav trying to present something that'll affect everyone in the room in some way--melodically, intellectually, spiritually, spasmodically, etc.--and succeeding without too much pandering. Who they wrote for on Accidental Deaths (and why) is less clear and, for me, much more intriguing.

Les Savy Fav - "Hit By Car" (from Accidental Deaths)
Les Savy Fav - "Hit By Train" (from Accidental Deaths)
Les Savy Fav - "Pots & Pans" (from Let's Stay Friends)

Ennio Morricone song of the week is "Cavallina A Cavallo", which also features Ilona Staller. Two songs I never thought I'd hear at work are "Weightless Again" and "The Saturday Option". Ian MacKaye is indeed alive and well, and you should re-watch him on Soft Focus to see why that's such a good thing. Oh and I can't remember if I mentioned it before or not, but check out the Weather Report song ("American Tango") at Soul Sides. I was almost in tears just talking about this scene from Extras earlier. Don't forget to click the picture up above for an up-close adventure.

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