Cosseted by white hazy mornings.
Goddamn! One of the great things I got for Christmas (and I got nothing but solid gold hits from people) was a burned copy of The Music Library, the collection of '60s/'70s sound library/mood music/source music tracks compiled by Johnny Trunk and friends as a bonus egg to his/their definitive overview of the Library Record scene. Some total nerd shit, for sure, but also, as Melanie Wood put it when she gave it to me, an album that "has Matt Werts written all over it". Yup, this is the music that soundtracks my ideal world, in case you weren't sure. In more general terms, this is something the Doom/Madlib/Morricone fan in your life will potentially go bonkers over. Tons of vintage cornball jazz and funk and pop that's more incredible and transporting than what most people take way serious, not to mention the perfect score for flipping through those Taschen ad books. Especially check out Guy Pedersen's "Kermesse Non Heroique", which is like the "Payload Theme Song" of rare library jams, sort of. Thank you again, Mel (and Jesse?)!
Guy Pedersen - "Kermesse Non Heroique"
Luis Conti - "Zapata"
Basil Kirchin and Roy Neave - "First Step (b)"
Another wonderful New Year's time record that needs some shouting out is Michio Kurihara's solo record from last year, Sunset Notes. If I had technically heard this in 2007, it would have made my year-end wrap-up. I should've just included it anyway. Kurihara is probably best known for his endless work in the Japanese psych community (Ghost, White Heaven, etc.) and with former Galaxie 500-ers Damon & Naomi, who released Sunset Notes on their 20/20/20 label. I had only been aware of him through his collaborative album with Japanese doom-gazers Boris, last year's (or maybe it was 2006's) increasingly awesome Rainbow. On Rainbow, he goes all over the place and gets super wild (seriously check the last couple minutes of "Starship Narrator"), but Sunset Notes is much more restrained and rarely gets psyched out. It's more college rock and surf worship and soothing lite ballads sung by Ai Aso--kind of a virtuoso's bedroom project, which means you get low-key experiments, but they're presided over by a legit genius guy and his friends, who are also pretty legit. I think my new goal for any band I play in from now on should be to sound like "Twilight Mystery of a Russian Cowboy". Imagine hearing that played by some band at a house show! Holy shit.
Michio Kurihara - "Twilight Mystery of a Russian Cowboy"
Michio Kurihara - "The Wind's Twelve Quarters"
Boris with Michio Kurihara - "Starship Narrator"
Damn, what else? Uhhh, ESG's "Erase You" and The Savages' "The World Ain't Round, It's Square". If I could put up Chico Hamilton's "People" and Bonny Billy's Phil Ochs cover, I totally would. If you're not reading Indestructible Wolves of the Apocalypse Junkyard, you're crazy, but if you are reading it, you're probably also crazy. Be sure to check out his soundtrack picks. Check out Lovefingers' picks while you're at it. And definitely, definitely check out David Lynch on phone movie-watching. Take that, Larry Brown.
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