
Goddamn! One of the great things I got for Christmas (and I got nothing but solid gold hits from people) was a burned copy of The Music Library, the collection of '60s/'70s sound library/mood music/source music tracks compiled by Johnny Trunk and friends as a bonus egg to his/their definitive overview of the Library Record scene. Some total nerd shit, for sure, but also, as Melanie Wood put it when she gave it to me, an album that "has Matt Werts written all over it". Yup, this is the music that soundtracks my ideal world, in case you weren't sure. In more general terms, this is something the Doom/Madlib/Morricone fan in your life will potentially go bonkers over. Tons of vintage cornball jazz and funk and pop that's more incredible and transporting than what most people take way serious, not to mention the perfect score for flipping through those Taschen ad books. Especially check out Guy Pedersen's "Kermesse Non Heroique", which is like the "Payload Theme Song" of rare library jams, sort of. Thank you again, Mel (and Jesse?)!
Guy Pedersen - "Kermesse Non Heroique"
Luis Conti - "Zapata"
Basil Kirchin and Roy Neave - "First Step (b)"

Michio Kurihara - "Twilight Mystery of a Russian Cowboy"
Michio Kurihara - "The Wind's Twelve Quarters"
Boris with Michio Kurihara - "Starship Narrator"
Damn, what else? Uhhh, ESG's "Erase You" and The Savages' "The World Ain't Round, It's Square". If I could put up Chico Hamilton's "People" and Bonny Billy's Phil Ochs cover, I totally would. If you're not reading Indestructible Wolves of the Apocalypse Junkyard, you're crazy, but if you are reading it, you're probably also crazy. Be sure to check out his soundtrack picks. Check out Lovefingers' picks while you're at it. And definitely, definitely check out David Lynch on phone movie-watching. Take that, Larry Brown.
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